Last month, the good folks at American Cinematheque Los Angeles paid tribute to one of my absolute favorite directors with a three-day celebration of his films. Obviously, they must have known about the upcoming John Carpenter Week my good friend J.D. was landing this week over at his brilliant movie blog, RADIATOR HEAVEN. Here's how that viewer supported, non-profit moving picture organization describes this director:"For the past four decades, director John Carpenter has created some of the most consistently entertaining and brilliantly crafted films in American cinema, from his savage urban western ASSAULT ON PRECINCT 13, through his chiller HALLOWEEN and his adrenaline-fueled action epic ESCAPE FROM NEW YORK. Carpenter’s films have shown an amazing consistency, creating wickedly modern twists on traditional genres (THE THING) without losing playfulness or individuality. As his career has progressed, Carpenter has shown the range of a classical studio director, helming not only action and horror films but love stories (STARMAN) and even a philosophical comedy (MEMOIRS OF AN INVISIBLE MAN). Yet for all his old-school craftsmanship, Carpenter is first and foremost a maverick with a fiercely independent sensibility and a willingness to confront contemporary America's most troubling social and political issues. In addition to his work as a director, Carpenter has written the screenplays and composed the soundtrack music for almost all of his movies."
The night He came home!
On a cool late summer Friday evening (ten days before Los Angeles' hottest day ever), the fans of one John Howard Carpenter arrived by the usual L.A. carloads. An excited crowd of his die-hard fans were already lined up in the Egyptian's historic theatre concourse by the time I got there. Little surprise why everyone there was so excited. Especially with the person who's produced some pretty iconic moments in cinema history expected to show up for the first night of American Cinematheque's tribute. How could they not be? RussellMetty captured those film sequences already swimming in the collective heads of those in the audience with this elegant video, created for this happening:No surprise, the theatre was packed. But before the first feature (Escape From New York) was introduced, the pre-event montage was topped off by musician Aaron Olson warming up the crowd with his rendition of the film's telltale theme song:
Enthusiasts for the movie watching experience got into it early with the initial feature, accompanied by eager applause as the title credit splashed across the screen. The biggest were generated for Kurt Russell, Lee Van Cleef, Ernest Borgnine, Adrienne Barbeau (Maggie received a few extra wolf whistles, to be sure), and of course, Carpenter. For those of us who were on Twitter, American Cinematheque (@SidGrauman) was tweeting updates throughout the evening with additional info like this one:
John Carpenter talks about his new film THE WARD @dreadcentral http://ow.ly/2FyaA In person at the Egyptian 2nite! http://ow.ly/2Fyo0As movie blogger Mr. Peel noted (in this wonderful examination of Big Trouble in Little China), this opening event was a digital affair. I understand his lament that "... if it isn’t on celluloid with the old school Avco-Embassy logo attached to it then as far as I’m concerned you’re not seeing ESCAPE FROM NEW YORK." Still, I wasn't about to leave my seat. The vibe of us all watching Snake Plissken again, together in a darkened movie palace, overcame any projection shortcoming. For me, anyways.
Easily, the biggest draw for the evening was John Carpenter making his way to the front of the Egyptian Theatre after New York's end credits finished. The following is a mix of American Cinematheque's and my tweets from that evening's extraordinary director discourse with Mick Garris interviewing John Carpenter:
"Standing O for John Carpenter (director Mick Garris is moderating). JC got into film to make westerns believe it or not."
"30 days to make a 3 hour TV movie way back when, Elvis (with Kurt Russell)"
"John Carpenter speaking to close to sold out house at Egyptian! Every movie I ever made was greeted w/ indifference or hostility"
"Carpenters says "Man, the reviews were awful for Halloween." It took about a year and 1/2 for me to become John Carpenter."
"Old Wiltern Theatre (Wilshire Blvd) used for Escape from NY; St Louis used also as a stand in for NY"Note: for those not familiar with it, here's the Wikipedia link for the Wiltern Theatre
"John Carpenter only 6 years older than me; who knew?"
"Carpenter, "My favorite part is being on the floor shooting and then when its over." I want to get out of there before noon""
"Mick Garris' Masters of Horror gets huge applause. Started as dinner w/ old horror directors insulting each other. Carpenter back directng"
"'if an actor knows what they're doing, I stay out of their way.' ~ John Carpenter on working w/ actors on his sets"
"8 o'clock in the morning short story based They Live on. Carpenter says to fan 'I'm glad u saw it 7 times.'"
"Carpenter's The Ward filmed in Spokane, WA at a mental institution"
"John Carpenter says its hilarious shooting a horror movie - making a drama you want to blow your brains out."
"McGreedy's hat was so outsized says John Carpenter. I had the costume dept make me one!"
"Big Trouble in Little China originally Western Carpenter wrote script 4 John Wayne who was 'intimidating' &didnt like people w/ long hair"
"Carpenter loves Rio Bravo, Suspiria, His Girl Friday... Suspiria remake is booed Accordng 2 remake director 'its 4 torture porn fanatics'"
"John Carpenter says Citizen Kane is the 1 film that will never be remade. He liked remake of Dawn of the Dead."
"Carpenter likes David Fincher - there is one guy completely in control of his vision doing exactly what he wants to do."
"No matter how much I try to make it A, my movies always turn out to be B says John Carpenter"
"John Carpenter jokes "Let's look at wrapping the q and a up, I have to meet my drug dealer." At the Egyptian Theatre hollywood"
"John Carpenter & Mick Garris at The Egyptian Theatre http://twitpic.com/2pi36i"
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